Grandma’s Words

Grandma’s Words

In the beginning was the word…
~Genesis

      We do not live in Grandma’s world of words, and neither did grandma live in her grandma’s world of words and on and on and so on in a downwards devolution through untold millennia. From primal grunts, whistles and gestures, language—words— were born, evolved and morphed by time, and so we are now blessed and burdened by a burgeoning mosaic of linguistic and expressive possibilities. Precious few of our feelings, thoughts, emotions and wonderings are locked from expression or driven into some illiterate corner. Each new generation slurps from a lexicon that continually expands and emboldens in breadth and scope to capture and freeze the fleeting fury that is life. Words make real what is sensed, and no doubt our first spoken words were once just a simple coupling of sounds—surprised mutual understandings, workmanlike, practical and primeval grunts structured towards survival in a clannish, harsh and unforgiving landscape. Over time, these words became ways to remember histories, to strengthen traditions, to weave parables from experience that gave meaning, direction, substance to the purpose of the mysterious perplexion of life—the viscera of flesh and innards coiled within a skeletal frame and wrapped in a tender skin.

Then, after thousands of years, came our first written words scratched to walls and papyrus that gave expediency to memory, and since then the longer veil of ignorance has slowly, inexorably been lifting—new light shining on dark places, recurring epiphanies too precious to lose, the ravages of time and misfortune placated by remembrances, and the power of reflection to ruminate in fire of insatiable bellies. Humanity and words have coevolved in a steady march, borne in a symbiosis of needs, yearnings, and aspirations. We have become distinct in our utterances; our thoughts made palpable and immortal by a procreative stringing together of sound married to sense. The collective memories told and perpetuated by bards, prophets and seers transformed into individual exhortations, laments, songs and stories open to anyone brave enough to look beyond and within, cadenced and formed from the rhythm of breath—of life.

Rudimentary technology created pages plied to pages in steady iterations of progress: reams of stories and poems, screeds of drivel, letters and journals and diaries, discoveries and dissertations, insults and insinuations, politics and propaganda—all that could be put to page found a home, an audience, a stage, a platform and a purpose. We now live so fully in words that it is unthinkable to be mute and deaf amidst this stunning cacophony we have birthed onto this muddy orb spinning its transitory ellipsis around a warm star. Words equalize the pauper with the king; words kindle genius in every child; the strength of words is passed to the weak, and solace is laced into the tea of aging. Life becomes more an odyssey of meaning than a reptilian adventure of arduous survival.

Folksy phrases now capture our unfolding dilemma: All good things come to pass; familiarity breeds contempt, and every empire disintegrates through its excesses. Our words, increasingly common, dull and predictable are as much a babble of inanity than a heroic addiction to truth. It is a miner’s labor in a hard rock mine to ferret the gem out of the slurry of sifted soil. The greatest irony is that in our present sea of words—a sea imbued with inexplicable variety—we have lost our bearings and drift away from the distant polestar. We are more addicted to a junkie high of email, texts, fake news, real news, and viral blogs than we are to real words wrought and crafted in a forge of deliberate attentiveness. We wake and post to Instagram; we check our Facebook feed and turn out the light. We love words without seeing and feeding on the intrinsic power of words. We are factory workers hammering out cheap parts that live and die like mayflies in a day. Little is left that is truly lasting—a ripple on the water, a shimmering in a fading light. We are more prey than predator. We hide in tangled scrub and are content to merely survive.

This power that erodes us is also the power that strengthens us, but only if we exercise our wills. It’s a new paradigm, and it is neither good nor evil. It just is. Words—great words, worthy words—are simply a click and download away, and any ignorance of our own is a willful decision and a conscious abnegation of a magnanimous gift. Some part of our lives and our days needs a devotion to this gift, to what is buried in the ground before us before we escape to the lesser pursuits of the day. We have a duty to literature, to what has stood and tested the erosions of time and place. Equally so, we have a duty to find and celebrate the enlightened creators of today. But even more so, we have a duty to ourselves to lay a cornerstone of literacy in our own lives, not just to write with words, but to think with words, to reflect with words and to create with words. No pickaxe is stronger than the pen to find the beauty, poignancy and urgency of our own lives. We all have stories to tell and wisdom to utter. Our headstone in a quiet graveyard should be a finger wagging towards a distant moon—a testament to eternity, not a testament to futility.

This is not a call to make quiet bookworms and poets of us all. It is a call to appreciate that words have changed—that the mediums that carry words and create words have changed in the same way we are changing; but we don’t and can’t know the future. Our visions seldom bend over the horizon, and all clairvoyance is sham and a delusion. It is an anathema to even whisper, but I can see a world without books. Not some Fahrenheit 451 dystopia, but some new and mystic way to experience, appreciate and work with words. We have not reached our omega point; we are merely arcing towards it. Reading is not some timeless tradition. It is a relatively recent tradition. It has always been (short of conversation and oratory) the most efficient way to carry words to our minds and to other minds. A good podcast, documentary, Netflix series or movie can well do the same thing. Doctor Zhivago stills my heart whether I read it or watch it. Natures First Green Is Gold relived in memory is as precious as the words on a brittle page. In the end, it is the effect and memory of words, not the conveyance, that wins the day. I can learn any given point in history just as fast—and in a way that is just as edifying as reading—by watching some Ken Burns series. I can experience the sublime in the cinema as deeply as from a classic novel. Words are wed to form, not married to any particular structure. We should not be shamed in our choices or pushed from the path our genius takes us simply by the gravity of inertia.

As Thoreau writes in Walden: “Old ways for the old and new ways for the new,” and so it is with how we learn to use, create and craft words. By and large, English teachers give damn about how and why they teach, and most are pretty damn good readers—great readers, avid readers; gifted men and women who embrace, experience and want to pass on the transformative power of reading. Hell, I am one of them! Good-hearted, gracious, gifted dedicated and wise teachers, they absolutely, fully believe that reading is the cat’s meow and holy grail of any school’s curriculum, for how else the Sam hill can or will anyone succeed in any future endeavor without reading? The funny thing is that almost anything read must first be written, and most English teachers are no great shakes as writers, at least not in any real way. Time spent reading, more often than not, dwarfs the time spent writing.These teachers are, however, damn good graders and critics of writing, but, regrettably, they are more quick  and ready to slash and burn most any piece of writing that passes through their twitching hands and under their squinting, critical eyes as they are effusive in their praise for a noble, but ultimately insufficient response to a writing prompt. They cannibalize the young like frogs gorging on tadpoles. They are quick to condemn, but not willing to be condemned themselves. It is a weird thing: I doubt a school would hire a trumpet teacher who couldn’t play the trumpet or a shop teacher that couldn’t build a table. I wonder if more teachers wrote—even just as much as they ask their students to write—that some new breed of mutual respect for the power of words would take root in the classrooms and in the assignments, so that both the boat of reading and the boat of writing, molding and shaping words would rise with the flood of a newly enlightened tide, for it is a rare writer who is not also a fanatic reader.

The idea and promise of a certain pedagogy often supersedes common sense, and we are seldom as smart we think as we weave new meanings into old words and phrases. We fully believe we are creating new paradigms, when in reality we are simply reworking the old—gifting new and catchy words to a time-worn tradition. My school just spent a gazillion dollars building a new makerspace—a new word for Shop. No one will dare say it, but the unbreathed insinuation is that it is a shop—a shop for smart kids; enginneery kids destined to shape and mold our technological future—not for the greasy kids classrooms never served, the kids who gravitated to old-style metal shops, wood shops and auto shops because it was the only place they actually learned and the only place that rewarded their bent of erudition. My school also built a new woodshop along with our Makerspace, so I give kudos to us, but not to the schools dismantling their traditional shops for the flotsam of the future. Much of the blame falls on shop teachers, noble teachers, but often teachers who are not comfortable or fluent in creating new words for new times capture the hearts and minds of school boards and administrations desperate to be on the supposed cutting edge of education.

Our new Makerspace is a marvel of engineering and purpose meant to spark creativity, ingenuity and experimentation. It will no doubt be full of nifty gadgets: 3D printers spinning gears and trinkets; solenoids and batteries tethered to spider-like robots; reams of duct-tape, cardboard and wires cobbling dreams and visions into unlikely inventions. We are asked to wed our curriculums to a vague covenant. I actually like the word makerspace. It has a nice ring to it, and it is easy to coil my imagination around its intent. I’m happy that we are latching onto this vision of learning and creating for a new breed of kids, but I would take the vision one step further, for there is no place in this new makerspace to work solely with words, no makerspace to push new boundaries of expression with the greatest tool and gift we have—WORDS! Every classroom should be a makerspace, equipped as a makerspace, and experienced as a makerspace, for if we cannot make something from what we have learned, we will have lost the palpable touch to the words that tried to teach us in the first place.

It takes no genius of the mind to create an orchard from a fallow field. Fortunately, my school is prescient and forgiving enough to let me follow the bent of my madness. I don’t have desks in my room. I don’t allow backpacks trundled in to litter my floor and remind my students of the baggage of every other academic demand they carry through the rest of the day. I don’t allow notebooks, pens or loose sheets of paper to doodle and dawdle upon. They can only bring themselves, a willing spirit, and an iPad, which in my mind is simply a tool—an incredible tool that serves as their library, workbench and portal into the world of words, and so there, within the confines of a small space, a greater universe can be experienced, toyed with, reflected upon and rebirthed in a panoply of forms all built upon making things with words, appreciating things with words, and sharing things with words—and sharing myself with words! I don’t deny the power of the printed page. I have a huge library of tattered books cornered to a pair of musty couches. At any given time my room, littered with sprawled, unkempt bodies, resembles more of a mob hit than a meticulously furrowed alignment of dreariness. The two closets are home to video and recording studios. When students struggle, I tell them to “give a damn and figure it out”—which, in the end, is the only thing they really need to know! When we gather to share, we sit on stools around a massive wooden table crafted by a local cabinet maker. We laugh at our pathetic mistakes and are equally wowed by uncommon perfection. I don’t carry home any sheaves of papers. I don’t sigh and bemoan the drudgery of grading. I come home and sit on the back porch energized and eager to see, hear, immerse myself in, and experience the fruits of indefatigable efforts. I grade myself more harshly than I grade my students. I stumble and fall, but always try to lean forward onto something that resembles progress. I try to live what I ask them to do—love words and what words can do.

Damn… I ramble on. I am as often as not a parody of what I preach; I am life without conclusion. Points without centers. A diaspora of wandering words sucking manna in a desert. But, like anyone, I am convinced of something wild and ultimately inexplicable and there is yet a word for it. I spill the cart of my head with willful abandon. I collect the trinkets spilled on the page because I can’t foresee or imagine a world without words that mean more than their weight. I am a gong in the night from a distant bell tower reminding myself that words are part of our ancestral lineage and future promise. I am my grandma’s words and the words of my young, I cling stubbornly to the notion that sculpted and crafted words are our only way to move forward and beyond what we ever were or are or will be…

We are blessed by cursed Fate. We live in the infinite and recurring now. We are horses led to perfect water. So drink today before tomorrow—before the rosy fingers of dawn shine once more.

And the Word was made flesh, and dwelt among us…full of grace and truth…

Me & God

Me & God

 

      I am not done with God, nor God with me. I remain obsessed with the notion of the unmoved mover who set the pattern of creation into its initial motion. I stubbornly try to trace my existence back to some infinite beginning—so much so that I loathe the deficiencies and inconsistencies of my intellect, which in the end I always cast aside, for I can’t help but fall into a wondrous rapture before the miracle of life and the turnings and meanderings of my heart and soul and mind and being. 

     We are trapped in time and limited by its confines, and so my search is hobbled by the simple handicap of being alive, but while I struggle with faith, I am in awe of any true search for explanations amidst the inexplicable.  I know that my God is embraced, denied, manufactured and packaged in the fickle streams of my thoughts, which is why and how I distrust the leanings of my head—for as the tree leans, the tree falls. All I can do is dig among the inexorable to discern what is ineffably and eternally real, amidst what is imagined by sensed vision and construed logic from undeniable fact.
     As I write this, a monstrous nor’easter is screaming over Cape Cod with snow and wind tearing at the fabric of trees, beaches, waters and the very air itself with a persistent and insistent voice calling attention to itself–and to me—to live within the storm and within the cloud of unknowing. I know there is nothing to know, nothing to parse with words, and nothing to gain from argument and sophistry. God can only be the truth without truth, the reality without substance, the nameless name before the gaping maw of the universe.
     I trust that God moves within our noblest actions and equally within the baseness of our greatest transgressions. Out of this stew of the holy mixing with the unholy, grace can be distilled to feed and guide and sustain us through the daunting, heroic odyssey that is our lives. We need to remove ourselves from ourselves, to consciously and deliberately extricate our tangled limbs from the muddy morass that binds us to ignorance, defeat, and despair–to help us move forward into the blinding miracle of life even as we are strapped and clasped to its binding chains.  
     We are born to live. Death does not set us free. Life sets us free; so that we can die free—with some semblance of palpable holiness clinging to our bones in spite of whatever vagaries besets our lives. Faith, in the end, is the proverbial beggar’s banquet—the promise of a feast that never seems to make it to the table. 
     Still, I wait, brood, celebrate and live this wild arc of existence within an endless prayer. Gravity tells me I am not in heaven.
     But I am damn close. Amen.
 
The March Snow

The March Snow

An early March snow brought down all these branches
Cracking and crashing throughout a long night,
Piling them impatiently in the yard
Like jacksticks in a child’s messy room.
The stepladder I used to rake the ridge
Stands like an awkward sculpture draped in white
Bellies of bulging snow piled on the steps
And a perfect barrel resting on top–
A meticulous testament to God
Pulling one more trick from winter’s sleeve.

It reminds me of impermanence–
Our shaky place in the scheme of things,
My sixty years of New England winters
In the sultry moodiness of winter’s grasp,
And the fickleness of expectation.

It is a poet’s job to measure things
And juxtapose words upon a blank page
With the same crystalline efficiency;
To make sense and form from infinite flakes
And give the world one more chance to see
Our place within eternity.

The Gift Unclaimed

The Gift Unclaimed

I have an old lobster buoy
Hanging dully from
A wrought-iron basket hook—
A rough cutaway
Filled with suet,
Clabbered in wire mesh
.
.
I had imagined chickadees
Squabbling
 with angry jays
And occasional sparrows, finches—
Maybe even cedar waxwings
tired of scrounging
For dry berries;
But here it is,
A warm night in March,
Still untouched,
Still beckoning
A lingered hope.

The snows are gone,
The muddied lawn now full
With the promise,
Of idle seeds and soft grasses,
Of carcasses and shells—
A winter’s kill, enough
To fill the belly
And gorge the void—
this lost friendship,
This gift unclaimed.

Guns, Me, and Rural America

Guns, Me, and Rural America

     Sometimes I start writing without knowing where I stand—unsure of even where I stand. I have to trust some innate wisdom or audacity will cull through the bullshit we are all heir to in what Hamlet laments is “this earthly coil” we are forced to face when we wake each morning. For better, worse and everything in between, America is divided economically, culturally, politically, spiritually and regionally—especially the regional gaps between rural and non-rural places, the right and left and, most jarring, the constant denunciations, pronouncements and exhortations surrounding guns…
 
I have to start off saying (with angst and trepidation) that I do like guns in some old-fashioned romantic way, though I have never actually owned one. For several years I had use of an old Hawkins 45 black-powder gun a friend “stored” at my cabin, a one room log cabin nestled in the woods where I lived for the better part of some ten years. I used it mostly to blast apart—or at least try to blast apart—paper targets with lead balls I made myself in a crude forge. I hit that target just once. It was on one icy morning when I slipped on a slick of ice, threw the Hawkins in the air and ducked my head as the hair trigger went off. It was the only time I hit the target—and the last time I shot that Hawkins. Another time I rowed a jonboat for a friend while he was duck hunting on the Concord River. He let me take a shot. In my blithe ignorance I didn’t shoulder the shotgun correctly and the recoil sent the butt into my face, smashing into my jaw and teeth, leaving a bloody mess mixing with oily water in the bilge—and my satisfied and bemused friend, Christian Bilodeau, laughing his ass off.
 
These are the only times I remember shooting a gun of any sort, yet I have always appreciated and even envied folks with shotguns, muskets or classic rifles. I used to carve duck decoys and sold more than a few to bird hunters. I envied, too, their stories of hunting in remote marshes, wild patches of grassland and overgrown thickets. While I lived in my cabin, friends would stop by on a regular basis to hunt deer in the massive track of woodland I lived in. If they got a kill, which they often did, I’d sit and watch and gam as they hung the deer from a lodgepole behind the cabin and gutted them, skinned them and carved out the meat, a bit of which always went to me. For several years I tried my hand at bow-hunting, but I never got a shot off. Hunting, I guess, was never so deep in my bones as it was for so many of my friends.
 
I’m getting a bit old to take up hunting now, and frankly, I don’t have the desire, but I get that hunting is powerful stuff for a lot of people, and it is deeply embedded in their lifestyles, psyche and social culture—and I don’t think I will ever have a problem with that; nor do I have a problem with shooting for fun or competition. My high school had a rifle team, and for years the camp I worked at had a range for campers to learn to shoot rifles. For many kids it was the best part of camp. A close second was archery, followed by fishing. It makes me think that there has to be some DNA strands in us—especially men—that compel us to hunt, and the tools that help us hunt are as coveted as any other tool that helps us be men—some semblance of the great provider we want to be—or should be. Sadly or not, I think that strand is getting bred out of us. It is not as manly as it once was, and it is being supplanted by a different intelligence. Our hunting ground is now the marketplace; our worth is measured in how much income we generate, and we are most attractive by how well we might support a family, be a father, love our wives and children, and do things and fix things that help the family survive and thrive in the predictable flow of our urban and suburban lives.
 
Guns and hunting just don’t fit as naturally and needfully in this new paradigm. Rural America is different, and, when there, us soft-skinned machines of commerce are often clueless, gutless ghosts walking absurdly down main streets that are strange, alien and unforgiving to us. There is no comfort zone, no place to celebrate ourselves. We need our supposed good schools, competitive soccer leagues and country clubs to feel at home. We need cars that run, planes that fly us to vacations, and homes and apartments near coffee-shops, malls and health clubs.
 
We don’t need rural America.
 
And they don’t want us.
 
Theirs is a land and culture that is not our own. It is an earthy culture that treasures and clings to its traditions more than we do in the cities and suburbs. They work harder for less pay. Their schools get by on shoestrings and pride. Their factories, mines and farms have been shuttered, bankrupted or off-shored. There is little palpable to show that we care about them at all. We have taken so much from them already, trivialized their lives and condemned their thinking.
 
And now we want their guns.
 
What we see as common sense, safety and enlightenment, they see as encroachment, assimilation and blind bigotry. We treat them like antiquated idiots; we ridicule their politics, and we demean them from every stage we can find. Our liberal mindset is showered on them from the fiery pulpits of our almost religious fervor and superiority. We don’t engage in dialogue as much as we shame and name and vilify. They sense the trap, and they will not take the bait; they will not charge into the valley of death and the ensured destruction of their lives and way of life. If they go to church, they are labeled as backward zealots. If they vote republican, we call them rightwing fanatics.
 
But we never try to really know them.
 
“If only they could be what we want them to be, we could move forward together…”
 
But it is we, the pompous, sanctimonious we, who must change, if it is really change we are seeking. By keeping the divide between us, we will never meet on common ground—and our country is, if you are truly American, our unflinching common ground.
 
And yes, they too must change. They can’t simply hunker down and weather the storm in an insular jacket of stoic pride and a tenuous code of honor. They can’t broad stroke us liberal dandies as swatches of smugness. The horror of the recent carnages is a shared horror, and it is equally sorrowful, reprehensible and incomprehensible across every physical, spiritual and economic boundary in America. In some weird distortion of reality, guns that hunt humans are sold legally and prolifically in the most common and cavalier ways in stores where we buy car batteries, clothes and lawn chairs. These mercenaries of mass murder are sold and marketed in ways that have little to do with the tradition of hunting, bundled in slogans of freedom and constitutional rights—rights I always assumed I was willing to die for to protect.
 
Gun violence is, I know, rooted in soil that is far from the grounds of hunting or any rural/non-rural bridge, but it is tentacled to the easy access of guns—all guns: why we have them, how we use them and how broadly we accept them as inalienable rights. It is born, bred, compounded and sustained by the pathologies of mental illness, poverty, criminal intent, gangs and a stubborn obstinance to any kind of meaningful regulation, all stuff that crosses every boundary—real or imagined—in America; and the solutions are as vexing as the problem itself. My feeble intellect is no match for that struggle. I can only express thoughts; I can’t expound upon or analyze the sociology or statistics in any cogent way, but I do know that our only way out is through this stormy sea of conflict, something which will never happen in a country of polarizations; it will never happen unless we realize and embrace our common ground as Americans; it will never happen by shouting at each other.
 
But something can happen; something needs to happen, and that needs to happen in the heart—the singular hearts of noble citizens—not in fixed ideologies of the head, and not in the easy embrace of party lines, this is the essential plea of this rambling, long-winded reflection.
 
I am not writing this to start an argument, tolead an agenda or to piously pontificate my myopic point of view. I simply want America and Americans to search for commonality, to move toward each other if we can’t live with and for each other and to listen as intently as we speak. Instead of marching on opposite streets, I dream of a march for America that includes all Americans simply and utterly walking together: no banners, no speeches, no leaders—no agenda except walking together in spite of, and because of, our differences. And at the end of the day, we simply go home into the vast mosaics of families and communities we equally love and cherish.
 
And maybe, just maybe, a sliver of new light, maybe even insight, will dawn on a new and better day.
Writing Iambic Dimeter Poetry

Writing Iambic Dimeter Poetry

I am sitting here realizing how hard it is to ask you–a bunch of fifteen-year-old boys–to write iambic dimeter poetry, a form of poetry that is more or less ignored nowadays. I (literally) played around for a couple of hours penning these poems, which are at least minimally worth keeping. (My other attempts were horrid and insipid.

I am sure you will come up with some good stuff, but writing poetry under pressure [aka: last-minute] is like trying to eat Cocoa Kripsies while juggling on a unicycle in beach sand with the tide coming in.

Really–walk around with your phone on record. Get a beat–a rhythm–going. Start talking in iambic dimeter. Sooner or later some words that actually make sense will pop out. Settle for what feels good; otherwise, you’ve made a bad deal–but better than no deal at all.

The crazy thing is that it works. Sooner or later you will have made the world (and your life) a better place.

And then it is worth it after all.

Poems don’t flow out of the soul just because you want them to. They are pried out of the earth with pickaxes and teaspoons…

 

The Light Within

It’s hard to write
When asked to do
A task this night
That’s hard for you:

The mind goes still;
The light goes dim;
With time you will
Find words within

 

Here is a three verse one I just wrote with a different rhyme scheme and more use of words that are naturally iambic (each beat does not need to be a single word). Generally, a poem “reveals itself” in the closing stanza or closing lines. Everything else prepares the reader for this moment of insight.

 

The Jays Cry

The biting cold;
The drifts of snow–
Lone squawks of songs
In sounds we know.

The Jay and me
Both try to see
What’s right and wrong
With poetry.

We scream with words
(To each absurd)

And sing along
To just be heard.

 

These are not going to win me any poetry prize, but as a poet, at least I have won my own day.

Start with digging…