Songs of the Sea & Fo’castle

The Sloop John B

The American Folk Experience

The Sloop John B

by John Fitzsimmons | The American Folk Experience

~Traditional 

We came on the sloop John B
My grandfather and me
‘Round Nassau town we did roam.
Drinking all night,
Had many a fight.
Oh, I feel so broke up, I wanna go home.

So hoist up the John B. sails,
And scrub down all of the rails
Send for the captain ashore, take me back home.
I want to go home,
Oh, take me back home.
I feel so broke up:
I want to go home.

The first mate he got drunk, –
He broke open my trunk
Poor seasick me all over the foam,
Oceans are grand,
Just give me the land
I feel so broke up, I wanna go home. 

Our cook he got the fits –
He ate up all of my grits
Then he took and ate up all of my corn.
A terrible trip –
On a terrible ship, oh yea
I feel so broke up, I wanna go home. 

If you have any more information to share about this song or helpful links, please post as a comment. Thanks for stopping by the site! ~John Fitz

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I am indebted to the many friends who share my love of traditional songs and to the many scholars whose works are too many to include here. I am also incredibly grateful to the collector’s curators and collators of Wikipedia, Mudcat.org, MainlyNorfolk.info, and TheContemplator.com for their wise, thorough and informative contributions to the study of folk music. 

I share this scholarly research on my site with humility, thanks, and gratitude. Please cite sources accordingly with your own research. If you have any research or sites you would like to share on this site, please post in the comment box.  

Thanks!

 

Source: Wikipedia

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The John B. Sails
Traditional song
Nassau Harbor after 1877, Albert Bierstadt, de Young Museum, San Francisco
Other name
  • I Want to Go Home
  • Wreck of the John B.
  • Sloop John B
  • Hoist Up The John B Sails
StyleFolk
LanguageEnglish
Published1916

"Sloop John B" (Roud 15634, originally published as "The John B. Sails") is a Bahamian folk song from Nassau. A transcription was published in 1916 by Richard Le Gallienne, and Carl Sandburg included a version in his The American Songbag in 1927. There have been many recordings of the song since the early 1950s, with variant titles including "I Want to Go Home" and "Wreck of the John B".

In 1966, American rock band the Beach Boys recorded a folk rock adaptation that was produced and arranged by Brian Wilson and released as the second single from their album Pet Sounds. The record peaked at number three in the U.S., number two in the UK, and topped the charts in several other countries. It was innovative for containing an elaborate a cappella vocal section not found in other pop music of the era, and it remains one of the group's biggest hits.[1]

In 2011, the Beach Boys' version of "Sloop John B" was ranked number 276 on Rolling Stone's list of "The 500 Greatest Songs of All Time".[2]

Earliest publications

"The John B. Sails" was transcribed by Richard Le Gallienne, with five verses and the chorus published in his article "Coral Islands and Mangrove-Trees" in the December 1916 issue of Harper’s Monthly Magazine.[3] Gallienne published the first two verses and chorus in his 1917 novel Pieces of Eight.[4] The lyrics describe a disastrous voyage on a sloop, with the vessel plagued by drunkenness and arrests and a pig eating the narrator's food.

Carl Sandburg included the first three verses and chorus of "The John B. Sails" in his 1927 collection The American Songbag. He states that he collected it from John T. McCutcheon, a political cartoonist from Chicago. McCutcheon told him:

"The John B. Sails" (3:25)
Banjo/vocal performance of the song.
Problems playing this file? See media help.

Time and usage have given this song almost the dignity of a national anthem around Nassau. The weathered ribs of the historic craft lie imbedded in the sand at Governor's Harbor, whence an expedition, especially sent up for the purpose in 1926, extracted a knee of horseflesh and a ring-bolt. These relics are now preserved and built into the Watch Tower, designed by Mr. Howard Shaw and built on our southern coast a couple of points east by north of the star Canopus.

The Beach Boys version

"Sloop John B"
U.S. picture sleeve
Single by the Beach Boys
from the album Pet Sounds
B-side"You're So Good to Me"
ReleasedMarch 21, 1966
RecordedJuly 12 (12-07) – December 29, 1965 (1965-12-29)
StudioUnited Western Recorders, Hollywood
Genre
Length2:59
LabelCapitol
Songwriter(s)Traditional, arranged by Brian Wilson
Producer(s)Brian Wilson
The Beach Boys singles chronology
"Barbara Ann"
(1965) 		"Sloop John B"
(1966) 		"Wouldn't It Be Nice"
(1966)
Music video
"Sloop John B" on YouTube
Audio sample

Arrangement

The Kingston Trio's 1958 recording of "The John B. Sails" was recorded under the title "The Wreck of the John B."[10] It was the direct influence on the Beach Boys' version. The Beach Boys' Al Jardine was a keen folk music fan, and he suggested to Brian Wilson that the Beach Boys should record the song. As Jardine explains:

Brian was at the piano. I asked him if I could sit down and show him something. I laid out the chord pattern for 'Sloop John B.' I said, 'Remember this song?' I played it. He said, 'I'm not a big fan of the Kingston Trio.' He wasn't into folk music. But I didn't give up on the idea. So what I did was to sit down and play it for him in the Beach Boys idiom. I figured if I gave it to him in the right light, he might end up believing in it. So I modified the chord changes so it would be a little more interesting. The original song is basically a three-chord song, and I knew that wouldn't fly.

Jardine updated the chord progression by having the subdominant (D♭ major) move to its relative minor (B♭ minor) before returning to the tonic (A♭ major), thus altering a portion of the song's progression from IV — I to IV — ii — I. This device is heard immediately after the lyric "into a fight" and "leave me alone".

So I put some minor changes in there, and it stretched out the possibilities from a vocal point of view. Anyway, I played it, walked away from the piano and we went back to work. The very next day, I got a phone call to come down to the studio. Brian played the song for me, and I was blown away. The idea stage to the completed track took less than 24 hours.[11]

Wilson elected to change some lyrics: "this is the worst trip since I've been born" to "this is the worst trip I've ever been on", "I feel so break up" to "I feel so broke up", and "broke up the people's trunk" to "broke in the captain's trunk". The first lyric change has been suggested by some to be a subtle nod to the 1960s psychedelia subculture.[2][12][13]

Recording

The instrumental section of the song was recorded on July 12, 1965, at United Western Recorders, Hollywood, California, the session being engineered by Chuck Britz and produced by Brian Wilson. The master take of the instrumental backing took fourteen takes to achieve. Wilson's arrangement blended rock and marching band instrumentation with the use of flutes, glockenspiel, bass saxophone, bass, guitar, and drums.[14]

The vocal tracks were recorded over two sessions. The first was recorded on December 22, 1965, at Western Recorders, produced by Wilson. The second, on December 29, added a new lead vocal and Billy Strange's 12-string electric guitar part. Jardine explained that Wilson "lined us up one at a time to try out for the lead vocal. I had naturally assumed I would sing the lead, since I had brought in the arrangement. It was like interviewing for a job. Pretty funny. He didn't like any of us. My vocal had a much more mellow approach because I was bringing it from the folk idiom. For the radio, we needed a more rock approach. Wilson and Mike [Love] ended up singing it."[15] On the final recording, Brian Wilson sang the first and third verses and Mike Love sang the second.

Kent Hartman, in his book The Wrecking Crew, described Billy Strange's contribution to the song. Brian Wilson called Strange into the studio one Sunday, played him the rough recording, and told him he needed an electric twelve-string guitar solo in the middle of the track. When Strange replied that he did not own a twelve string, Wilson responded by calling Glenn Wallichs, the head of Capitol Records and owner of Wallichs Music City. A Fender Electric XII and Twin Reverb amplifier were quickly delivered (despite the shop they were ordered from being closed on Sundays), and Strange recorded the guitar part in one take. Wilson then gave Strange $2,000 to cover the cost of the equipment.[16]

Single release

A music video set to "Sloop John B" was filmed for the UK's Top of the Pops, directed by newly employed band publicist Derek Taylor. It was filmed at Brian's Laurel Way home with Dennis Wilson acting as cameraman.[17]

The single, backed with the song "You're So Good to Me", was released on March 21, 1966 in the US and on April 15, 1966 in the UK. It entered the Billboard Hot 100 chart on April 2, and peaked at No. 3 on May 7, remaining on the chart, in total, for 11 weeks. It charted highly throughout the world, remaining as one of the Beach Boys' most popular and memorable hits. It was No. 1 in Germany, Austria, and Norway—all for five weeks each—as well as Sweden, Switzerland, the Netherlands, South Africa, and New Zealand. It placed No. 2 in the UK, Ireland (where it was the group's highest charting single at the time), Canada, and in Record World. It was the fastest Beach Boys seller to date, moving more than half a million copies in less than two weeks after release.[18] It had a three-week stay at number 1 in the Netherlands, making it the "Hit of the Year".[19]

Cash Box described the single as a "topflight adaptation" that treats "the folk oldie in a rhythmic, effectively-building warm-hearted rousing style."[20] Record World said that "The Beach Boys have taken a tune from the folk books and given it an intriguing rock backing."[21]

Other releases

In 1968, the recording's instrumental was released on Stack-O-Tracks. Along with sessions highlights, the box set The Pet Sounds Sessions includes two alternate takes, one with Carl Wilson singing lead on the first verse, and one with Brian singing all parts.[citation needed]

In 2011, the song was sung by Fisherman's Friends at Cambridge Folk Festival.[22] and released on Suck'em and Sea.[23] It was featured in the compilation album Cambridge Folk Festival 2011 [24] In 2016, to commemorate the fiftieth anniversary of Pet Sounds, Brian Wilson and his touring band (including Al Jardine) performed Sloop John B live at Capitol Studios.[25]

In 2021, another UK based group, Isle 'Ave A Shanty sang the song at the 2021 Harwich Sea Shanty Festival and included the song on their 2022 debut album Swinging the Lamp.[26][27]

Personnel

Per band archivist Craig Slowinski.[28]

The Beach Boys

Additional musicians and production staff

Certifications

Region Certification Certified units/sales
United Kingdom (BPI)[29] Silver 200,000‡

‡ Sales+streaming figures based on certification alone.

Sylvie Vartan version (in French)

"Mister John B"
Single by Sylvie Vartan
LanguageFrench
B-side"La chanson"
ReleasedJuly 1966
RecordedSummer 1966
GenrePop
Length2:45
LabelRCA Victor
Songwriter(s)Traditional, Brian Wilson, Giles Thibaut, Georges Aber, Eddie Vartan
Sylvie Vartan singles chronology
"ll y a 2 filles en moi"
(1966) 		"Mister John B"
(1966) 		"Ballade pour un sourire"
(1966)

In 1966, the song was adapted into French by Giles Thibaut, Georges Aber, and Eddie Vartan as "Mister John B" and performed by Vartan's sister Sylvie and released as a single in July 1966 as a non-album single, based on the Beach Boys version from earlier that year.[30] The song had on-and-off chart success from mid-to-late 1966 on the French Belgian charts, peaking at Number 35 on the French Belgian charts on November 19, 1966.[31] Vartan would go on to re-record the song for her 2013 album "Sylvie In Nashville" but failed to chart unlike the former version.[32][33]

Charts

Chart (1966) Peak
position
Belgium (Ultratop 50 Wallonia) 35[34]

English football

It has been popular amongst English football fans since the mid-2000s when Liverpool adapted the song to sing about their 2005 Champions League final triumph in Istanbul.[citation needed] It was subsequently adopted by the supporters of English non-league team F.C. United of Manchester as a club anthem in 2007.[35][36]

Since then more high-profile teams have followed suit, usually with different lyrics for their own teams, including Watford, with Newcastle, Blackpool, Middlesbrough and Hull also adopting the song as their own. It was sung by Phil Brown, the manager of Hull City FC, shortly after Hull had avoided relegation from the Premier League in 2009.[citation needed]

Scottish football

The melody of "Sloop John B" has been used as the basis for the "Famine Song", a sectarian anti-Irish Catholic song which refers to Irish migration to Great Britain in the context of the Great Irish Famine and contains the line "the famine's over, why don't you go home?". The song has been sung by fans of Rangers F.C. in reference to rival club Celtic F.C., which was established by Irish Catholic migrants in Glasgow and retains a large Irish supporter base.[37][38] The song was first sung publicly by Rangers fans at a match at Celtic Park in April 2008.[39] Rangers have repeatedly asked their fans not to sing the song. In 2009 Scotland's Justiciary Appeal Court ruled that the song was racist, with judge Lord Carloway stating that its lyrics "are racist in calling upon people native to Scotland to leave the country because of their racial origins".[38]

List of recordings

All versions titled "Sloop John B", except where noted.

1950s

1960s

1970s

1980s

1990s

2000s

2010s

2020s

  • 2022 - Isle 'Ave a Shanty - Swinging the Lamp album.[50]

Chart history

References

  1. ^ Moskowitz, David V., ed. (2015). The 100 Greatest Bands of All Time: A Guide to the Legends Who Rocked the World. ABC-CLIO. p. 43. ISBN 978-1-4408-0340-6. Archived from the original on February 22, 2017. Retrieved October 6, 2016.
  2. ^ a b "Rolling Stone 500 Greatest Songs of All-Time". Rolling Stone. April 7, 2011.
  3. ^ Richard Le Gallienne (December 1916). "Coral Islands and Mangrove-Trees". Harper's Monthly Magazine. 134 (799): 82–83.
  4. ^ Le Gallienne, Pieces of Eight, p. 30
  5. ^ Unterberger, Richie. "Great Moments in Folk Rock: Lists of Aunthor Favorites". www.richieunterberger.com. Retrieved 2011-01-26.
  6. ^ Scullati, Gene (September 1968). "Villains and Heroes: In Defense of the Beach Boys". Jazz & Pop. Archived from the original on 14 July 2014. Retrieved 10 July 2014.
  7. ^ Perlmutter, Adam (May 9, 2016). "'Sloop John B' Has Seen a Sea Change Throughout the Years". Acoustic Guitar.
  8. ^ Breihan, Tom (November 15, 2022). "The Beach Boys - "Good Vibrations". The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music. New York: Hachette Book Group. p. 90.
  9. ^ "Before TikTok Inspired a Rising Tide for Sea Shanties, the Beach Boys Charted One of Their Own". 16 January 2021.
  10. ^ Gilliland, John (1969). "Show 18 - Blowin' in the Wind: Pop discovers folk music. [Part 1]" (audio). Pop Chronicles. University of North Texas Libraries.
  11. ^ The Pet Sounds Sessions: "The Making Of Pet Sounds" booklet, pg. 25-26
  12. ^ Matthew, Jacobs (April 16, 2013). "LSD's 70th Anniversary: 10 Rock Lyrics From The 1960s That Pay Homage To Acid". Huffington Post.
  13. ^ Mojo Staff (April 24, 2015). "The Beach Boys' 50 Greatest Songs". MOJO.
  14. ^ Granata, Charles L. (2003). Wouldn't it Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds. Chicago Review Press. p. 149. ISBN 978-1-55652-507-0.
  15. ^ The Pet Sounds Sessions: "The Making Of Pet Sounds" booklet, pg. 26
  16. ^ Hartman, Kent (2012). The Wrecking Crew: The Inside Story of Rock and Roll's Best Kept Secret. Thomas Dunne. pp. 149–151. ISBN 9780312619749. Retrieved 21 June 2017.
  17. ^ *Badman, Keith (2004). The Beach Boys: The Definitive Diary of America's Greatest Band, on Stage and in the Studio. Backbeat Books. pp. 130–31. ISBN 978-0-87930-818-6.
  18. ^ Murrels, Joseph (1978). The Book of Golden Disks. Barrie & Jenkins. ISBN 978-0214205125.
  19. ^ "The Beach Boys – Sloop John B". Single Top 100. Retrieved July 29, 2017.
  20. ^ "CashBox Record Reviews" (PDF). Cash Box. March 26, 1966. p. 18. Retrieved 2022-01-12.
  21. ^ "Single Picks of the Week" (PDF). Record World. March 26, 1966. p. 1. Retrieved 2023-07-17.
  22. ^ "Fisherman's Friends". www.setlist.fm. Retrieved 8 October 2022.
  23. ^ "Sloop John B". www.last.fm. Retrieved 8 October 2022.
  24. ^ "Cambridge Folk Festival". www.propermusic.com. Retrieved 8 October 2022.
  25. ^ Archived at Ghostarchive and the Wayback Machine: "Brian Wilson & Al Jardine - Sloop John B (Official Video)". YouTube. 10 June 2016.
  26. ^ Monger, Garry (2022). "The Port of Wisbech". The Fens (51): 20.
  27. ^ "Swinging the Lamp". www.isleaveashanty. Retrieved 9 October 2022.
  28. ^ Slowinski, Craig. "Pet Sounds LP". beachboysarchives.com. Endless Summer Quarterly. Retrieved September 24, 2018.
  29. ^ "British single certifications – Beach Boys – Sloop John B". British Phonographic Industry. Retrieved December 13, 2024.
  30. ^ "EP 60 – Site officiel de Sylvie Vartan" (in French). Retrieved 2024-06-21.
  31. ^ "Sylvie Vartan - Mister John B. - ultratop.be". www.ultratop.be. Retrieved 2024-06-21.
  32. ^ "Albums 2010 – Site officiel de Sylvie Vartan" (in French). Retrieved 2024-06-21.
  33. ^ "Sylvie Vartan - Mr John B. [2013] - ultratop.be". www.ultratop.be. Retrieved 2024-06-21.
  34. ^ "Sylvie Vartan - Mister John B. - ultratop.be". www.ultratop.be. Retrieved 2024-06-21.
  35. ^ Conn, David (May 9, 2007). "FC United rise and shine on a sense of community". The Guardian. London.
  36. ^ FC United of Manchester - Sloop John B Retrieved 09-21-11
  37. ^ Gray, Lisa (17 October 2008). "Reid refers 'racist' Rangers song to police". independent.co.uk. Retrieved 25 December 2021.
  38. ^ a b Williams, Martin (30 August 2021). "Charities condemn 'racist anti-Irish' march before Rangers v Celtic game". HeraldScotland.com. Retrieved 25 December 2021.
  39. ^ Bradley, Joseph M. (2013). "When the Past Meets the Present: The Great Irish Famine and Scottish Football". Éire-Ireland. 48 (1–2): 230–245. doi:10.1353/eir.2013.0002. S2CID 162271495. Retrieved 25 December 2021.
  40. ^ Martin, Michel (May 9, 2012). "Major US Folk Music Archive Makes Online Debut". NPR.org. NPR. Retrieved May 28, 2024.
  41. ^ "Original versions of (The Wreck of the) John B by the Weavers | SecondHandSongs". SecondHandSongs.
  42. ^ "Lonnie Donegan". The Official Charts Company.
  43. ^ "Jimmie Rodgers". Billboard.
  44. ^ "CHUM Hit Parade - September 12, 1960".
  45. ^ "RPM Magazine - May 16, 1966 - page 5" (PDF).
  46. ^ "Discogs Raymond Harper / The Vibrators (2) With Bobby Aitken's Carib Beats – Amour / John B". Discogs. 1966.
  47. ^ "Discogs The Vibrators (2) / Raymond Harper & The Carib Beats – Sloop John B / Amour". Discogs. 1966.
  48. ^ "History of the Original Boy Band". www.londonwelshmvc.org. Retrieved 24 October 2023.
  49. ^ "Suck'em and Sea". www.last.fm. Retrieved 8 October 2022.
  50. ^ "Isle 'Ave a Shanty". www.elyfolkfestival.co.uk. Archived from the original on 9 October 2022. Retrieved 8 October 2022.
  51. ^ "The Beach Boys – Sloop John B" (in German). Ö3 Austria Top 40.
  52. ^ "The Beach Boys – Sloop John B" (in Dutch). Ultratop 50.
  53. ^ "The Beach Boys – Sloop John B" (in French). Ultratop 50.
  54. ^ "RPM Top 100 Singles - May 16, 1966" (PDF).
  55. ^ Nyman, Jake (2005). Suomi soi 4: Suuri suomalainen listakirja (in Finnish) (1st ed.). Helsinki: Tammi. p. 96. ISBN 951-31-2503-3.
  56. ^ "The Beach Boys – Sloop John B" (in German). GfK Entertainment charts.
  57. ^ "The Irish Charts – Search Results – Sloop John B". Irish Singles Chart. Retrieved July 11, 2017.
  58. ^ "The Beach Boys – Sloop John B" (in Dutch). Single Top 100.
  59. ^ "The Beach Boys – Sloop John B". VG-lista.
  60. ^ "SA Charts 1965–March 1989". Retrieved 5 September 2018.
  61. ^ "The Official Charts Company - God Only Knows by The Beach Boys Search". The Official Charts Company. 4 April 2014.
  62. ^ "The Beach Boys Chart History (Hot 100)". Billboard.
  63. ^ "Cash Box Top 100 Singles, May 14, 1966". Archived from the original on May 30, 2015. Retrieved December 29, 2018.
  64. ^ The 100 Best-Selling Singles of 1966
  65. ^ Musicoutfitters.com
  66. ^ "Cash Box Year-End Charts: Top 100 Pop Singles, December 24, 1966". Archived from the original on February 17, 2017. Retrieved December 29, 2018.
source: https://en.wikipedia.org/wiki/The_John_B._Sails

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Johnny Cash sings The Sloop John B…

The now classic version by The Beach Boys…

 

Performances, Workshops, Resources & Recordings

The American Folk Experience is dedicated to collecting and curating the most enduring songs from our musical heritage.  Every performance and workshop is a celebration and exploration of the timeless songs and stories that have shaped and formed the musical history of America. John Fitzsimmons has been singing and performing these gems of the past for the past forty years, and he brings a folksy warmth, humor and massive repertoire of songs to any occasion. 

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Redefining Literacy

by | August 8, 2014 | Essays, Journal, Teaching | 0 Comments

 My life is the poem I could have writ, But I could not both live and utter it ~Henry David Thoreau    The common man goes to an orchard to taste the fruit. The rich man man learns how to plant his own orchard. The poet, however,  grows an even better fruit and gives...
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Once Burned. Twice Shy.

by | April 6, 2014 | Essays, Journal, Teaching | 0 Comments

Just because no one understands you,  it doesn’t mean you are an artist ~Bumper Sticker        I sometimes wonder why when you give a group of teenagers a video camera, the first impulse is to shoot something stupid. It’s as if there is some jackass switch...
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The Enigma

by | August 11, 2014 | Journal, Poetry | 0 Comments

Black Pond is not as deepas it is dark, dammedsome century agobetween ledges of granite and an outcropping of leaning fir, huckleberry, and white pine. For years I have paddled and trolled;swam, fished, sailed and sometimessimply tread water in the night trying to...
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The End Is the Beginning

by | September 2, 2014 | Essays, Journal, Teaching | 0 Comments

For the past twenty years this night has always been a bittersweet moment. I have never been hobbled by boredom or a lack of "things I love to do," so whatever supposed free time I have is rewarding in whatever I choose to do. The flip side is that I am teacher, and I...
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The Silver Apples of the Moon.

by | January 29, 2014 | Essays, Journal, Teaching | 0 Comments

Stories are a communal currency of humanity. ― Tahir Shah, In Arabian Nights The most powerful and enduring connection we share as a human race is our desire and need to share stories. We engage in the art of storytelling more than most of us ever realize; whether we...
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Kampuchea

by | July 14, 2014 | Poetry, Raccoon | 0 Comments

I stutter for normality across the river from black men fishing for kibbers and horned pout. Barefoot children rounded bellies curled navels stalk the turtle sunning on a log. lonely in the field grass lonely on the curbstones I stutter for normality. Not a mother...
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The Most Unoriginal Teacher

by | February 5, 2014 | Essays, Journal, Teaching | 0 Comments

Yes, that's me. I am a fraudster, thief, and plagiarizer of the worst magnitude. I copy the very styles of classic poets; I steal from Noble Laureate novelists, and I copy words from every and any source I can. And even worse, I steal from myself. If you even dare to...
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Searching for an Alibi

by | August 12, 2014 | Fires in the Belly, Songs | 0 Comments

Here I am out on the road again
and it feels longer than it was back then;
when I was younger, man, it saw me through—
now it don’t do
what I want it to—

Too ra loo ra loo ra lady I—
I’m just out searching for an alibi
Too ra loo ra loo ra lady I
I’m just out searching for an alibi.

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Guns, Me, and Rural America

by | February 27, 2018 | Essays, Journal | 0 Comments

     Sometimes I start writing without knowing where I stand—unsure of even where I stand. I have to trust some innate wisdom or audacity will cull through the bullshit we are all heir to in what Hamlet laments is “this earthly coil” we are forced to face when we wake...
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What’s in a Song

by | May 4, 2014 | Essays, Journal | 0 Comments

Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of a lover, everyone becomes a poet. ~Plato         Writing a song is not just an exercise in seeking some kind of future fame. It is...
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The Philanthropy of Maynard

by | December 13, 2015 | Essays, Journal | 0 Comments

 I woke up today with chores on my mind. My buddy Josh LoPresti lent me his woodsplitter, and I had dreams of a mindless day splitting wood and heaving it into a pile for my kids to stack along the fence. But the dryer was broken, and it needed to be fixed. Margret's...
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In Reply To Einstein

by | July 14, 2014 | Poetry, Raccoon | 0 Comments

*God casts the die, not the dice. ~Alfred Einstein I am cold down the neck, turtling my head to showers of ice that fall dancing and skidding on skins of crusted snow. I hold my breath when I step, inflating hopes of a weightlessness, and so be undetected
to the play...
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Wisdom

by | May 13, 2016 | Essays, Journal | 0 Comments

Wisdom starts in non-action… The doing and non-doing are the equal balance. Without the luxury of contemplation there would not be a prioritizing of need versus want. Wisdom balances physical reality… Wisdom does not shuffle tasks out of view but finds a way to...
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Goathouse

by | May 23, 2014 | Poetry, Raccoon | 0 Comments

Goat house In reaching for the scythe I’m reminded of the whetstone and the few quick strokes by which it was tested-- the hardness of hot August; the burning of ticks off dog backs. It’s winter now in this garage made barn, and the animals seem only curious that I’d...
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Supermoon

by | August 10, 2014 | Journal, Poetry | 0 Comments

Last night the August supermoon reminded me of the fickleness of time and how substance becomes shadow and memories begin to etch themselves immutably into the hardness of what is already lost.
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The Next Time Around

by | April 16, 2016 | Essays, Journal | 0 Comments

        I wonder what the years have really taught me about writing and music. I have gotten so used to preaching and teaching that I am a bit looped by the thought of writing—as in how I wrote before (or how I will claim I wrote) before settling into this somewhat...
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Ghetto of Your Eye

by | November 11, 2015 | Fires in the Belly, Journal, Songs | 0 Comments

A Veteran's Day Remembrance I wrote this song back in the winter of 1989 in the dining car of a steam driven train, somewhere along the Trans-Siberian railway, after meeting a group of Russian soldiers fresh from battle in Afghanistan—that poor country that has been a...
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Creating a Digital Workflow in the Classroom

by | September 6, 2014 | Essays, Journal, Teaching | 0 Comments

One Teacher’s Solution To Everything  Years of teaching woodshop at my school has reinforced in me the utility of developing a workflow that works best for the project at hand using the tools and equipment already in the shop. The same can be said of my other life as...
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Canobie lake

by | June 3, 2014 | Essays, Journal | 0 Comments

Going to Canobie Lake is always the turning point of the year for me. It is like some primal signal that It is time to turn away from the school year and towards the future.  Obviously, it is my hope that you learned some useful skills this year, but, more...
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Eighteen Years

by | August 24, 2014 | Journal, Poetry | 0 Comments

At midnight I hear the cuckoo clock chiming from it’s perch in a cluttered kitchen locked in cadence with the tower bell gonging this old mill town at midnight to a deeper sleep, like a call to prayer reminding me that this new day, starting in the dark of a hallowed...
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Trawler

by | August 12, 2014 | Fires in the Belly, Songs | 0 Comments

Leave the fog stillness
of a cold harbor town;
cup our hands
in the warm diesel sound—
leave while the children
are calmed in their dreams
by light buoys calling:
“Don’t play around me.”

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No Dad To Come Home To

by | August 26, 2014 | Dawghouse, Songs | 0 Comments

Rain’s falling outside of Boston—
Thank God I’m not working tonight.
I’ve got six of my own,
And a stepdaughter at home,
And a momma keeping things right.
I wonder if they’re at the table
With their puzzles, their papers and pens?
When I get off the highway
And pull in that driveway,
Will they run to the window again?

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Rainmaker

by | August 28, 2014 | Essays, Journal | 0 Comments

I loved the rain last night. Last week, in a bow to reality, I reclaimed my gardens and made them into yard. Four of my kids got poison ivy in the process and I (and more "they") got an extra ten feet of width to add to the soccer field--for really that is about the...
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In the unfolding chores

by | July 7, 2017 | Journal, Poetry | 0 Comments

The day sometimes slip away from me, a huge pine half-bucked in the backyard, the kids old tree fort cut into slabs, a ton of coal waiting to be moved in a train of buckets to the bin. Sipping cold water on the back deck I hear Emma rustling for soccer cleats and...
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